
The Thermals perform Monday at Slowdown. The band – from left, Hutch Harris, Kathy Foster and Westin Glass – is also on the lineup of Maha Music Festival in August.
The intense and bouncy audiences at The Thermals’ performances a few months ago in Austin were a welcome site to the Portland punk band. South by Southwest was a chance for the band to show off its then-upcoming album, “Desperate Ground,” and crowds at The Parish and Mohawk (and several other Austin venues) careened through the band’s new songs.
And occasionally the band careened right into the crowd. (Singer Hutch Harris and drummer Westin Glass developed a habit of jumping into the audience to jump-start the audience’s energy.)
On Monday, the band will perform at Slowdown. ($12 tickets) with opener Pleasure Adapter. Then on Aug. 17, the band will be on the Maha Music Festival stage. Both shows are quite a way to show some love to the city of the band’s new label.
Omaha’s own Saddle Creek Records released The Thermals’ “Desperate Ground” last month. It’s a record with energy to make you spring from the couch and join the album’s protagonist in his bloody fight.
Before the band set out on its tour, I called bassist Kathy Foster at her home in Portland to talk about the energy contained there and how they created such a kinetic record. (Foster had a lot to do with keeping things high-energy.)
Kevin Coffey: When The Thermals hit the stage, you guys have tons of energy. I was at some of the shows in Austin and Westin and Hutch dove into the crowd. You never stopped moving. Where does the energy come from? Does something click when the show starts?
Kathy Foster: (laughs) For me, something definitely clicks. It also has to do with the music itself. Playing that, you have to have a lot of energy to play it. It’s really energetic music so it pumps you up. It’s kinda this circle of energy.
Personally, I’m a pretty mellow person otherwise. Playing that music and being onstage and interacting with everyone gives me a lot of energy. I think because I’m so mellow, I save up all the other energy or something. (laughs)
Hutch and Westin are both more highly energetic in general. I call them the Zing-Zang Twins. They kind of bounce off the walls sometimes.
We’re a good balance. I’m pretty mellow and they’re the funny goofy guys.
We all enjoy playing together and the music itself gives us that energy. And if the crowd is giving that energy back, it keeps feeding itself back and forth. Those are always my favorite shows.
You never know. Sometimes, the audience doesn’t have that kind of energy and they’re kind of standing there, but the shows where people go crazy, it’s so fun. I feel like we’re all at the same party.
KC: When you recorded “Desperate Ground,” it was just before Hurricane Sandy, right?
KF: Yeah. We were in Hoboken. We were out there for like two weeks. We got out there around the middle of October, and so we didn’t know about Sandy. As we were recording and watching the weather, we saw it was coming towards us. Continue reading






As a takedown of biopics such as “Ray” and “Walk the Line,” “Walk Hard: The Dewey Cox Story” succeeded on a lot of levels, especially in its takedowns of . But to hell with the movie. The best part is the soundtrack (a full 30 songs in the iTunes edition), which has John C. Reilly singing rockabilly, space rock, protest music, psych rock and disco. They are near-perfect spoof of every era they go for, and the protest music (say “Dear Mr. President”) are so horribly misguided that I can’t help but laugh hysterically.
No list of fake bands is complete without these guys, who precede every other entry. The amazing thing about Spinal Tap is not “This Is Spinal Tap,” but the fact that the band – Michael McKean as David St. Hubbins, Christopher Guest as Nigel Tufnel and Harry Shearer as Derek Smalls – has produced more records, gone on tour and continue to make appearances (such as Shearer joining
“Forgetting Sarah Marshall” was pretty dang funny and one of the more subversive plot elements was Russell Brand’s turn as ultra-famous rock star Aldous Snow, bandleader of fictitious group Infant Sorrow. And yeah, there was “Get Him to the Greek,” which was amusing, but less funny and had a plot about getting Snow to Infant Sorrow’s reunion. From the first film, “Inside of You” is a well-made love ballad with a really inappropriate message. The second movie produced an entire soundtrack of new Infant Sorrow songs including “Bangers, Beans and Mash,” another ballad about regular stuff like the train and food.
Garage rock is excellent and this fake band, from “Scott Pilgrim Vs. the World” (and the comics that preceded it), made some real (and really good) songs. They’re short, packed jams that fit on any mix of The Strokes, Jay Reatard and the Black Lips. Fans of the comics know that the real songs from the movie’s soundtrack were taken from the comics. And the comics even laid out the chords, progression and lyrics for those that want to learn.
We all heard “That Thing You Do!” about a thousand times in the movie of the same name. (Actually, it’s only nine times. Seemed like more, right?) And it’s still incredibly catchy. Many know the story, but Fountains of Wayne songwriter/bassist wrote the song before he was in FoW. He had a song publishing contract and was approached about trying his hand at a ’60s-era, Beatles-style track. The Wonders (known as The Oneders for a portion of the movie) recorded five different songs for the movie, and they’re actually all pretty good.
When William Miller hits the road to follow a band (and write about it for Rolling Stone) in the movie “Almost Famous,” the band was the “incendiary” Stillwater (portrayed by Jason Lee, Billy Crudup and others). They played some actual Southern rock-infused jams, including “Fever Dog.” Nancy Wilson, Peter Frampton and the film’s director, Cameron Crowe, wrote all of the band’s songs for the film.
The Muppets’ house band takes about a dozen puppeteers (and several more musicians) to come to life. But throughout the fuzzy puppet troupe’s history, the Electric Mayhem have recorded several great songs, and some of them are actually pretty heavy-hitting, too. One of my favorites is 



